Music (MU)

MU 1000. Freshman Departmental Recital.

Attendance and observation of weekly recitals. Concurrent enrollment in freshman-level applied lessons and the appropriate major ensemble are required.Prerequisites or Corequisites: MUSP 1120 or MUSP 1130 or MUSP 1140 or MUSP 1150 or MUSP 1160 or MUSP 1170 or MUSP 1220 or MUSP 1230 or MUSP 1240 or MUSP 1250 or MUSP 1260 or MUSP 1270 or MUSP 1280.
Read More [+] about Freshman Departmental Recital

0 Credit Hours. 0 Lecture Contact Hours. 1 Lab Contact Hour.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Credit/No Credit

Read Less [-] about Freshman Departmental Recital

MU 1112. Basic Musicianship.

A study of music fundamentals: reading rhythms, pitches in bass and treble clefs, spelling, notating, and identifying key signatures, intervals and chords. Prerequisite: Music major status.
Read More [+] about Basic Musicianship

1 Credit Hour. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Basic Musicianship

MU 1150. Introduction to Music Technology.

Introduction to current computer applications in music. Including MIDI and sequencing, notation, internet communication, and digital audio.
Read More [+] about Introduction to Music Technology

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Introduction to Music Technology

MU 1180. Recording Practicum I.

Independent study in sound recording. Students develop aural and practical skills necessary to produce high quality recordings. Full major status in SRT is required.
Read More [+] about Recording Practicum I

1 Credit Hour. 0 Lecture Contact Hours. 2 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Recording Practicum I

MU 1182. Recording Practicum II.

Development of aural skills associated with audio production and recording. This course is a continuation of MU 1180, Recording Practicum I. Full major status in SRT is required. Prerequisite: MU 1180 with a grade of "C" or higher.
Read More [+] about Recording Practicum II

1 Credit Hour. 0 Lecture Contact Hours. 2 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Recording Practicum II

MU 1210. Aural Skills I.

Sight singing, dictation, keyboard exercises, and improvisation of musical structures and styles studied in MU 1211. Corequisite: MU 1211.
Read More [+] about Aural Skills I

2 Credit Hours. 0 Lecture Contact Hours. 2 Lab Contact Hours.
Grade Mode: Standard Letter
TCCN: MUSI 1216

Read Less [-] about Aural Skills I

MU 1211. Music Theory I.

The study of species counterpoint in two voices. The analysis and model composition of diatonic music, with a focus on voice-leading principles that connect tonic-function and dominant-function harmonies. Corequisite: MU 1210.
Read More [+] about Music Theory I

2 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter
TCCN: MUSI 1211

Read Less [-] about Music Theory I

MU 1212. Aural Skills II.

Sight singing, dictation, keyboard exercises, and improvisation of musical structures and styles studied in MU 1213. Prerequisite: MU 1210, MU 1211 with a grade of “C” or higher. Corequisite: MU 1213.
Read More [+] about Aural Skills II

2 Credit Hours. 0 Lecture Contact Hours. 2 Lab Contact Hours.
Grade Mode: Standard Letter
TCCN: MUSI 1217

Read Less [-] about Aural Skills II

MU 1213. Music Theory II.

The analysis and model composition of diatonic music, including voice-leading with tonic, pre-dominant, and dominant-function triads and 7th-chords. Topics include phrase structures, small forms, and an introduction to applied chords. Prerequisite: MU 1210, MU 1211 with a grade of "C" or higher. Corequisite: MU 1212.
Read More [+] about Music Theory II

2 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter
TCCN: MUSI 1212

Read Less [-] about Music Theory II

MU 1312. Essential Musicianship.

Detailed instruction in fundamentals of music theory, including but not limited to notation, meters, scales, key signatures, intervals and chords. This course is designed primarily for non-Music majors and Music minors.
Read More [+] about Essential Musicianship

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter
TCCN: MUSI 1301

Read Less [-] about Essential Musicianship

MU 1314. Essential Musicianship II.

Continued practice of the essential elements of musicianship. Emphasis on analysis and application of song forms, transposition, popular chord symbols, ear training and sight-singing. Prerequisite: MU 1312 with a C or better.
Read More [+] about Essential Musicianship II

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Essential Musicianship II

MU 2000. Sophomore Departmental Recital.

Attendance and observation of weekly recitals. Concurrent enrollment in sophomore-level applied lessons and appropriate major ensemble is required. Prerequisiite or Corequisite: MUSP 2120 or MUSP 2130 or MUSP 2140 or MUSP 2150 or MUSP 2160 or MUSP 2170 or MUSP 2220 or MUSP 2230 or MUSP 2240 or MUSP 2250 or MUSP 2260 or MUSP 2270 or MUSP 2280.
Read More [+] about Sophomore Departmental Recital

0 Credit Hours. 0 Lecture Contact Hours. 1 Lab Contact Hour.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Credit/No Credit

Read Less [-] about Sophomore Departmental Recital

MU 2104. Writing About Music.

This course focuses on writing and research skills in music, including the use and documentation of sources. In addition to written exercises, assignments include studying professional writing samples about music, such as concert reviews, program notes, and research essays. Full major status in Performance required. (WI) Prerequisite: Full major status in Performance. Corequisite: MU 3315, MU 3316, or MU 3317.
Read More [+] about Writing About Music

1 Credit Hour. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Writing Intensive
Grade Mode: Standard Letter

Read Less [-] about Writing About Music

MU 2123. Foundations of Music Education.

This course introduces principles of aesthetics and philosophy, as well as their practical application in music education.
Read More [+] about Foundations of Music Education

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Grade Mode: Standard Letter
TCCN: MUSI 1104

Read Less [-] about Foundations of Music Education

MU 2141. Fundamentals of Diction in Singing I.

A basic course in the pronunciation of singing in Italian and German combining lecture and laboratory sessions for practical application. (MC).
Read More [+] about Fundamentals of Diction in Singing I

1 Credit Hour. 1 Lecture Contact Hour. 1 Lab Contact Hour.
Course Attribute(s): Multicultural Content
Grade Mode: Standard Letter
TCCN: MUSI 2160

Read Less [-] about Fundamentals of Diction in Singing I

MU 2142. Fundamentals of Diction in Singing II.

A basic course in the pronunciation of singing in French and English, combining lecture and laboratory sessions for practical application. (MC) Prerequisite: MU 2141.
Read More [+] about Fundamentals of Diction in Singing II

1 Credit Hour. 1 Lecture Contact Hour. 1 Lab Contact Hour.
Course Attribute(s): Multicultural Content
Grade Mode: Standard Letter

Read Less [-] about Fundamentals of Diction in Singing II

MU 2153. Problems in Music.

This course is conducted as an independent study on one or more music topics not covered in another course and is open to students on an individual basis by approval of the Director of the School of Music. May be repeated for credit.
Read More [+] about Problems in Music

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

Read Less [-] about Problems in Music

MU 2180. Recording Practicum III.

This course allows students to continue to develop aural and practical skills in sound recording to produce high-quality recordings. Full major status in SRT required. Prerequisites: MU 1182 with a grade of "C" or higher.
Read More [+] about Recording Practicum III

1 Credit Hour. 0 Lecture Contact Hours. 2 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Recording Practicum III

MU 2182. Recording Practicum IV.

Students will develop the aural skills associated with audio production and recording. This is a continuation of MU 2180 Recording Practicum III. Full major status in SRT required. Prerequisite: MU 2180 with a grade of "C" or higher.
Read More [+] about Recording Practicum IV

1 Credit Hour. 0 Lecture Contact Hours. 2 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Recording Practicum IV

MU 2253. Problems in Music.

The course is conducted as an independent study on one or more music topics and is open to students on an individual basis by approval of the Director of the School of Music. May be repeated for credit.
Read More [+] about Problems in Music

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

Read Less [-] about Problems in Music

MU 2260. Aural Skills III.

Sight singing, dictation, keyboard exercises, and improvisation of musical structures and styles studied in MU 2261. Prerequisites: MU 1212, MU 1213 with a grade of “C” or higher. Corequisite: MU 2261.
Read More [+] about Aural Skills III

2 Credit Hours. 0 Lecture Contact Hours. 2 Lab Contact Hours.
Grade Mode: Standard Letter
TCCN: MUSI 2216

Read Less [-] about Aural Skills III

MU 2261. Music Theory III.

The analysis and model composition of chromatic music, with a focus on voice-leading principles. Topics include modulations and larger forms. Prerequisite: MU 1212, MU 1213 with a grade of "C" or higher. Corequisite: MU 2260.
Read More [+] about Music Theory III

2 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter
TCCN: MUSI 2211

Read Less [-] about Music Theory III

MU 2262. Aural Skills IV.

Sight singing, dictation, keyboard exercises, and improvisation of musical structures and styles studied in MU 2263. Prerequisite: MU 2260, MU 2261 with a grade of “C” or higher. Corequisite: MU 2263.
Read More [+] about Aural Skills IV

2 Credit Hours. 0 Lecture Contact Hours. 2 Lab Contact Hours.
Grade Mode: Standard Letter
TCCN: MUSI 2217

Read Less [-] about Aural Skills IV

MU 2263. Music Theory IV.

The analysis and model composition of music from the 20th- and 21st-centuries. Topics include, but are not limited to, impressionism, polytonality, parallelism, quartal/quintal harmonies, secundal harmonies, polyrhythms, octatonicism, minimalism, modes, serialism, and set theory. Prerequisite: MU 2260, MU 2261 with a grade of "C" or higher. Corequisite: MU 2262.
Read More [+] about Music Theory IV

2 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter
TCCN: MUSI 2212

Read Less [-] about Music Theory IV

MU 2303. Survey of Music Literature.

An introduction to western European art music from the Middle Ages into the 21st-century through listening examples, readings, and class lectures. The course covers representative works by major composers and introduces conventional musical forms/styles associated with various genres in each of the musical periods.
Read More [+] about Survey of Music Literature

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Multicultural Content
Grade Mode: Standard Letter
TCCN: MUSI 1307

Read Less [-] about Survey of Music Literature

MU 2310. Guitar Class I.

An introductory course primarily for the non-music major. This course offers the opportunity to study tuning, hand positions, chords, accompaniment patterns, strumming and introductory music reading.
Read More [+] about Guitar Class I

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter
TCCN: MUSI 1303

Read Less [-] about Guitar Class I

MU 2313. Introduction to Fine Arts.

An introductory course designed to give the student a fundamental understanding of the creation and appreciation of diverse modes of expression through the visual and performing arts. This course may not be repeated for credit by taking ART 2313, DAN 2313, or TH 2313.
Read More [+] about Introduction to Fine Arts

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Creative Arts Core 050
Grade Mode: Standard Letter
TCCN: HUMA 1315

Read Less [-] about Introduction to Fine Arts

MU 2353. Problems in Music.

The course is conducted as an independent study on one or more music topics and is open to students on an individual basis by approval of the Director of the School of Music.
Read More [+] about Problems in Music

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

Read Less [-] about Problems in Music

MU 3000. Junior Departmental Recital.

Attendance and observation of weekly recitals. Concurrent enrollment in junior-level applied lessons and the appropriate major ensemble is required. Prerequisite or Corequisite: MUSP 3170 or 3220 or MUSP 3230 or MUSP 3240 or MUSP 3250 or MUSP 3260 or MUSP 3270 or MUSP 3280.
Read More [+] about Junior Departmental Recital

0 Credit Hours. 0 Lecture Contact Hours. 1 Lab Contact Hour.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Credit/No Credit

Read Less [-] about Junior Departmental Recital

MU 3050. Junior Recital.

Preparation and performance of the junior recital for music performance majors. Corequisites: Concurrent enrollment with applied lessons and major ensemble required for all Music Performance majors. Pre-requisite or Corequisite: MUSP 3170 or MUSP 3220 or MUSP 3230 or MUSP 3250 or MUSP 3260 or MUSP 3270 or MUSP 3280.
Read More [+] about Junior Recital

0 Credit Hours. 0 Lecture Contact Hours. 1 Lab Contact Hour.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

Read Less [-] about Junior Recital

MU 3180. Recording Practicum V.

This course allows students to continue to develop aural and practical skills necessary to produce high quality recordings. Full major status in SRT required. Prerequisites: MU 2182 with a grade of "C" or higher. Corequisite: MU 3383.
Read More [+] about Recording Practicum V

1 Credit Hour. 0 Lecture Contact Hours. 2 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Recording Practicum V

MU 3182. Recording Practicum VI.

Students will develop the aural skills associated with audio production and recording. This is a continuation of MU 3180, Recording Practicum V. Full major status in SRT required. Prerequisite: MU 3180 with a grade of "C" or higher. Corequisite: MU 3384.
Read More [+] about Recording Practicum VI

1 Credit Hour. 0 Lecture Contact Hours. 2 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Recording Practicum VI

MU 3207. Instrumental Conducting I.

This course covers instrumental conducting fundamentals such as beat pattern, baton techniques, score reading, cuing, subdivisions, fermatas, and releases. The class will function as an ensemble and each student will conduct assignments approximately once each week. Requires successful completion of the Upper Level Competency Review in Music Studies.
Read More [+] about Instrumental Conducting I

2 Credit Hours. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Instrumental Conducting I

MU 3208. Choral Conducting I.

This course covers choral conducting fundamentals such as beat pattern, baton technique, score reading, cuing, subdivisions, fermatas, and releases. The class will function as an ensemble and each student will conduct assignments approximately once each week. Requires successful completion of the Upper Level Competency Review to enroll.
Read More [+] about Choral Conducting I

2 Credit Hours. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Choral Conducting I

MU 3217. Instrumental Conducting II.

An application of the principles of conducting to instrumental music, including score reading and problems of interpretation. Some choral conducting experience will be included. Prerequisite: MU 3207 with a grade of "C" or higher.
Read More [+] about Instrumental Conducting II

2 Credit Hours. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Course Attribute(s): Time Conflicts Permitted
Grade Mode: Standard Letter

Read Less [-] about Instrumental Conducting II

MU 3227. Choral Conducting II.

An application of the principles of conducting choral music, including score reading and problems in interpretation. Some instrumental conducting experience will be included. Prerequisite: MU 3208 with a grade of "C" or higher.
Read More [+] about Choral Conducting II

2 Credit Hours. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Choral Conducting II

MU 3233. Jazz Theory and Improvisation I.

This course is a study of the musical theory basics used in jazz improvisation and composition, focusing on best practices in its practical application and pedagogy. In addition to a theoretical and applied approach, students will also examine historical and cultural considerations, as they relate to performance. BM Majors only. Prerequisites: MU 1213 with a grade of "C" or higher or permission of instructor.
Read More [+] about Jazz Theory and Improvisation I

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Jazz Theory and Improvisation I

MU 3234. Jazz Theory and Improvisation II.

This course is a continuation of MU 3233, with particular attention to developing skills in the use of scales and modes (including major and minor pentatonic scales), modal playing, and jazz nomenclature. BM majors only. Prerequisites: MU 3233 and MUSE 3127 with grades of "C" or higher or permission of instructor.
Read More [+] about Jazz Theory and Improvisation II

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Jazz Theory and Improvisation II

MU 3241. A Survey of Instrumental Performance Literature.

This course is an overview of repertoire for wind bands/orchestras from all musical periods/styles, including music for beginning bands/orchestras to works for collegiate/professional ensembles. Activities include: listening, score study, instrument transpositions, programming, contest preparation and student-led wind band/orchestra reading sessions. Upper Level status required. Prerequisite: MU 2313 with a grade of "C" or higher.
Read More [+] about A Survey of Instrumental Performance Literature

2 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about A Survey of Instrumental Performance Literature

MU 3242. Survey of Choral Performance Literature.

The course covers detailed consideration of literature of all periods appropriate for choral ensembles and includes discussions on repertoire selection/performance problems peculiar to all ensemble sizes. Assignments give students opportunity to develop their own approach to vocal challenges that face high school and junior high singers, including arranging choral music. Prerequisites: MU 3208, MU 3254. Corequisite: MU 3227.
Read More [+] about Survey of Choral Performance Literature

2 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Survey of Choral Performance Literature

MU 3253. Band/Orchestra Methods.

This course is designed to introduce fundamental principles of effective instrumental music instruction, rehearsal techniques, and administration of secondary school music programs. This course will provide opportunities for students to conduct and rehearse instrumental ensembles, present teaching demonstrations, and conduct independent scholarship projects related to teaching. Prerequisites: MU 3207, MU 2263, MUSP 3145 or MUSP 3147, MUSP 3155 or MUSP 3157 with grades of "C" or higher.
Read More [+] about Band/Orchestra Methods

2 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Band/Orchestra Methods

MU 3254. Choral Methods.

This course provides practical experience in developing, teaching and maintaining a successful choral program at the secondary level. Assignments are designed to give students the opportunity to develop approaches to the basic challenges that face high school/middle school choral directors. Students will share ideas and evaluate each other's work. Prerequisite: MU 2263 with a grade of "C" or higher. Corequisite: MU 3208.
Read More [+] about Choral Methods

2 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Choral Methods

MU 3263. Marching Band Techniques.

An examination of the techniques required to program, design, and instruct a successful marching band show. The class will discuss different types of design concepts currently being employed throughout the country, but also to construct and chart those designs. Prerequisite: Full major status.
Read More [+] about Marching Band Techniques

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Marching Band Techniques

MU 3269. Current Trends in Music II.

A study of melodic and harmonic techniques for keyboard percussion instruments, sight-reading techniques using Sol-Fa, and a survey of the folk music of Europe and the Americas. Prerequisite: MU 3340 with a grade of "C" or higher.
Read More [+] about Current Trends in Music II

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Current Trends in Music II

MU 3308. History of Rock Music.

A survey of the evolution of rock styles, contributions of important performers, and musical techniques involved in the creation and performance of rock music. The course focuses on the first three decades of rock history.
Read More [+] about History of Rock Music

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about History of Rock Music

MU 3310. Guitar Class II.

Primarily for the non-music major, the course includes the opportunity for development of more advanced techniques in accompaniment, music reading and solo guitar techniques. Prerequisite: MU 2310.
Read More [+] about Guitar Class II

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Guitar Class II

MU 3315. History and Analysis of Music I.

This course is a comprehensive musicianship approach to the study of music from ancient times to the 1680s involving the discussion of history, aesthetics, performance practice, and conceptual approaches specific to distinctive periods and regions. (MC) (WI) Prerequisites: MU 1213 with grades of "C" or higher or consent of instructor.
Read More [+] about History and Analysis of Music I

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Writing Intensive
Grade Mode: Standard Letter

Read Less [-] about History and Analysis of Music I

MU 3316. History and Analysis of Music II.

This course is a comprehensive musicianship approach to the study of music from the 1680s to the late 19th-century involving the discussion of history, aesthetics, form, orchestration, performance practice, and conceptual approaches to distinctive musical works. (MC) (WI) Prerequisites: MU 1213 and MU 3315 with grades of "C" or higher or consent of instructor.
Read More [+] about History and Analysis of Music II

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Writing Intensive
Grade Mode: Standard Letter

Read Less [-] about History and Analysis of Music II

MU 3317. History and Analysis of Music III.

This course is a comprehensive musicianship approach to the study of music from the turn of the twentieth century to the present involving the discussion of history, aesthetics, form, orchestration, performance practice, and conceptual approaches specific to distinctive musical works. Prerequisites: MU 1213, MU 2313, MU 3316 with a grade of "C" or higher or consent of the instructor. Must not be enrolled in the Minor in Music.
Read More [+] about History and Analysis of Music III

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Writing Intensive
Grade Mode: Standard Letter

Read Less [-] about History and Analysis of Music III

MU 3318. World Musics.

This course equips students with practical and intellectual tools to enhance their enjoyment and understanding of popular, folk and classical music traditions around the globe, (with the exclusion of what is commonly referred to as Western Art Music) and explores how these traditions relate to history, social issues, politics and identity. (MULT) (WI).
Read More [+] about World Musics

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Multicultural Content|Writing Intensive
Grade Mode: Standard Letter

Read Less [-] about World Musics

MU 3340. Current Trends in Music I.

A study of the components of music and their concepts. An emphasis on singing and rhythmic performance skills, and aesthetic awareness through listening. Prerequisite: MU 2123 with a grade of "C" or higher.
Read More [+] about Current Trends in Music I

3 Credit Hours. 3 Lecture Contact Hours. 1 Lab Contact Hour.
Grade Mode: Standard Letter

Read Less [-] about Current Trends in Music I

MU 3370. Music for the Elementary Classroom.

Introduction to basic music skills for the elementary classroom teacher. Include practical application and development of strategies and instructional techniques necessary for effective integration of music experiences in the elementary classroom curriculum. For interdisciplinary studies majors only.
Read More [+] about Music for the Elementary Classroom

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Music for the Elementary Classroom

MU 3375. History of Jazz.

Jazz originated in America and has been of great importance in the development of the 20th Century music. Topics will include the structure and history of jazz, the contributions of jazz to contemporary music, and the chronological development of jazz experienced through recordings and live performances. (MULT).
Read More [+] about History of Jazz

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Multicultural Content
Grade Mode: Standard Letter

Read Less [-] about History of Jazz

MU 3380A. Women in Jazz.

Overview of jazz history from its New Orleans origins to the present focusing on the contributions of women. Major style periods researched include early jazz/swing, bebop, cool, hard bop, free jazz, jazz fusion, and contemporary trends. Emphasis will be placed on the development of critical listening skills.
Read More [+] about Women in Jazz

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing|Topics
Grade Mode: Standard Letter

Read Less [-] about Women in Jazz

MU 3380B. Music and Film.

This course is an exploration of historical traditions and functions of Hollywood film music. Students will apply music theory and dictation skills to analyze scores and explain how film music's characteristics and associated cultural connotations combine with image to create new meaning. Prerequisites: MU 2262 and MU 2263, with grades of "C" or higher.
Read More [+] about Music and Film

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing|Topics
Grade Mode: Standard Letter

Read Less [-] about Music and Film

MU 3380C. Rock Harmony.

Theoretical analysis of popular and rock music incorporating extensive ear training components such as recognition of chords and progressions. Further analysis of the individual stylistic details in rock songs as well as comparison to traditional tonal harmony and form. Pre-requisite: MU 1312 with a C or better.
Read More [+] about Rock Harmony

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing|Topics
Grade Mode: Standard Letter

Read Less [-] about Rock Harmony

MU 3380D. History of Blues.

This course explores the role of the blues in American popular music, tracing the history of the genre from its origins to its influence on rock and other related styles, surveying important recording labels and related figures.
Read More [+] about History of Blues

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing|Topics
Grade Mode: Standard Letter

Read Less [-] about History of Blues

MU 3381. Recording Techniques I.

Introduction to audio recording techniques. Topics include acoustics, electronics, microphones, microphone techniques, loudspeakers, and operating principles of common recording equipment. Full major in SRT required. Prerequisite: MU 1182 with a grade of "C" or higher.
Read More [+] about Recording Techniques I

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Recording Techniques I

MU 3382. Recording Techniques II.

A continuation of MU 3381. Topics include: operating principles of common recording equipment, fundamentals of analog and digital recording, signal flow, equalization, and sound effects processors. Full major in SRT required. Prerequisite: MU 3381 with a grade of "C" or higher.
Read More [+] about Recording Techniques II

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Recording Techniques II

MU 3383. Recording Techniques III.

Principles and practices of microphone and mixing techniques. Full major in SRT required. Prerequisite: MU 3382 with a grade of "C" or higher. Corequisite: MU 3180.
Read More [+] about Recording Techniques III

3 Credit Hours. 3 Lecture Contact Hours. 1 Lab Contact Hour.
Course Attribute(s): Lab Required
Grade Mode: Standard Letter

Read Less [-] about Recording Techniques III

MU 3384. Recording Techniques IV.

Audio tape and disc recording and their applications in a variety of settings and genres. Full major in SRT required. Prerequisite: MU 3383 with a grade of "C" or higher. Corequisite: MU 3182.
Read More [+] about Recording Techniques IV

3 Credit Hours. 3 Lecture Contact Hours. 1 Lab Contact Hour.
Course Attribute(s): Lab Required
Grade Mode: Standard Letter

Read Less [-] about Recording Techniques IV

MU 4000. Senior Departmental Recital.

Attendance and observation of weekly recitals. Concurrent enrollment in senior-level applied lessons and the appropriate major ensemble may be required.
Read More [+] about Senior Departmental Recital

0 Credit Hours. 0 Lecture Contact Hours. 1 Lab Contact Hour.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Credit/No Credit

Read Less [-] about Senior Departmental Recital

MU 4050. Senior Recital.

Preparation and performance of the senior recital. Prerequisite or Corequisites: MUSP 4170, MUSP 4220, MUSP 4230, MUSP 4240, MUSP 4250, MUSP 4260, MUSP 4270, or MUSP 4280, with a grade of "C" or higher.
Read More [+] about Senior Recital

0 Credit Hours. 0 Lecture Contact Hours. 1 Lab Contact Hour.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

Read Less [-] about Senior Recital

MU 4152. Problems in Music.

The course is conducted as an independent study on one or more topics in music and is open to students on an individual basis by approval of the Director of the School of Music.
Read More [+] about Problems in Music

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

Read Less [-] about Problems in Music

MU 4156. Mariachi Arranging Techniques.

This course is a study of Mariachi repertoire and arranging techniques for a Mariachi ensemble. Topics will cover instrument ranges, orchestration techniques, and styles. This course is repeatable for credit three times. Prerequisite: MU 1210 and MU 1211 with a grade of "C" or higher.
Read More [+] about Mariachi Arranging Techniques

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

Read Less [-] about Mariachi Arranging Techniques

MU 4157. Mariachi Ensemble Teaching Lab.

This course provides students with the knowledge to become effective directors of Mariachi ensembles within the public school/university systems. Mariachi curriculum/repertoire/rehearsal techniques appropriate to middle school/high school/post-high school ensembles are discussed and applied within the setting of a performing ensemble. This course is repeatable for credit three times.
Read More [+] about Mariachi Ensemble Teaching Lab

1 Credit Hour. 0 Lecture Contact Hours. 1 Lab Contact Hour.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

Read Less [-] about Mariachi Ensemble Teaching Lab

MU 4180. Recording Practicum VII.

This course allows students to continue to develop the aural and practical skills necessary to produce high quality recordings. Full major in SRT required. Prerequisite: MU 3182 with a grade of "C" or higher.
Read More [+] about Recording Practicum VII

1 Credit Hour. 0 Lecture Contact Hours. 2 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Recording Practicum VII

MU 4182. Recording Practicum VIII.

Students will develop the aural skills associated with audio production and recording. This is a continuation of MU 4180, Recording Practicum VII. Full major status in SRT required. Prerequisite: MU 4180 with a grade of "C" or higher.
Read More [+] about Recording Practicum VIII

1 Credit Hour. 0 Lecture Contact Hours. 2 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Recording Practicum VIII

MU 4185. Senior Research Project.

A study of the student’s senior recital literature resulting in a thorough research paper on the theoretical, historical, technical and stylistic aspects of the compositions. Concurrent enrollment in Senior Recital, senior level applied lessons, and appropriate major ensemble are required. Prerequisite or Corequisite: MU 4050, MUSP 4170, MUSP 4220, MUSP 4230, MUSP 4240, MUSP 4250, MUSP 4260, MUSP 4270, or MUSP 4280.
Read More [+] about Senior Research Project

1 Credit Hour. 1 Lecture Contact Hour. 1 Lab Contact Hour.
Grade Mode: Standard Letter

Read Less [-] about Senior Research Project

MU 4234. Arranging Techniques for School Music Ensembles.

This class will introduce the many techniques involved in arranging for a wide variety of school music ensembles. Content will include an examination of the various instrument families, basic manuscript techniques (both manual and computer aided) and various orchestration techniques for voicing and scoring. Prerequisites: MU 2263, MU 3207, MUSP 3145 or MUSP 3147, MUSP 3155 or MUSP 3157.
Read More [+] about Arranging Techniques for School Music Ensembles

2 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Arranging Techniques for School Music Ensembles

MU 4244. Jazz Theory and Improvisation III.

This course is a continuation of MU 3234 and explores advanced concepts in jazz theory including symmetrical scales, chord substitutions, re-harmonization, pentatonic and exotic scale forms. Classes will focus on best practices in practical application and pedagogy and also examine historical and cultural considerations related to performance. Prerequisite: MU 3234 and MUSE 3127 with a grade of "C" or higher or permission of instructor.
Read More [+] about Jazz Theory and Improvisation III

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Jazz Theory and Improvisation III

MU 4245. Jazz Composition and Arranging.

This course is an in-depth exploration of various commercial writing styles and instrumentations, focusing on Pop, Latin, and Jazz. Students will analyze the writing styles of prolific 20th-century Big Band Arrangers, and learn to write music for all types of commercial applications, and styles, for all levels of musicians. Prerequisite: MU 4244 with a grade of "C" or higher or permission of instructor.
Read More [+] about Jazz Composition and Arranging

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Jazz Composition and Arranging

MU 4253. Problems in Music.

The course is conducted as an independent study on one or more music topics and is open to students on an individual basis by approval of the Director of the School of Music.
Read More [+] about Problems in Music

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

Read Less [-] about Problems in Music

MU 4255B. Guitar Pedagogy.

Developing teaching methods and broader understanding through critical study of guitar techniques. Prerequisite: Performance with Guitar Option major status.
Read More [+] about Guitar Pedagogy

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Topics
Grade Mode: Standard Letter

Read Less [-] about Guitar Pedagogy

MU 4255C. Piano Pedagogy.

This course will help guide students to become more competent and efficient piano teachers through the study of various teaching methods and broaden their understanding of teaching techniques through critical study of various piano technique resources. Prerequisite: Bachelor of Music with keyboard concentration and MUSP 3230 or MUSP 4230.
Read More [+] about Piano Pedagogy

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing|Topics
Grade Mode: Standard Letter

Read Less [-] about Piano Pedagogy

MU 4255D. Woodwind Pedagogy.

This course provides students the opportunity to explore the methodology involved in pedagogy of specific woodwind instruments from beginning through advanced levels to prepare them to become more competent and efficient instructors. Prerequisites: Bachelor of Music with instrumental concentration and MUSP 3240 or MUSP 4240.
Read More [+] about Woodwind Pedagogy

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing|Topics
Grade Mode: Standard Letter

Read Less [-] about Woodwind Pedagogy

MU 4255E. Brass Pedagogy.

Brass Pedagogy is an intensive study of various instruction styles, skills, and techniques applicable on brass wind instruments. The student will develop instructional methods and a broader knowledge through critical study of instructional and performance techniques. Prerequisites: Bachelor of Music with instrumental concentration and MUSP 3250, MUSP 3350, MUSP 4250, or MUSP 4350.
Read More [+] about Brass Pedagogy

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing|Topics
Grade Mode: Standard Letter

Read Less [-] about Brass Pedagogy

MU 4255F. Percussion Pedagogy.

Percussion pedagogy will familiarize the percussion students with various percussion pedagogical studies on a variety of percussion instruments through research, examination, and a compilation of written reviews of current percussion methods and educational publications. Prerequisite: MUSP 3170, MUSP 3270, MUSP 4170, or MUSP 4270 with a grade of "C" or higher.
Read More [+] about Percussion Pedagogy

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing|Topics
Grade Mode: Standard Letter

Read Less [-] about Percussion Pedagogy

MU 4255G. String Pedagogy.

This course represents an intensive study of publications concerned with the instructional methodology of bowed stringed instruments and will include practical instructional experience in a private studio setting, as well as in a group setting. Prerequisites: Bachelor of Music with string or instrumental concentration and MUSP 3260 or MUSP 4260.
Read More [+] about String Pedagogy

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing|Topics
Grade Mode: Standard Letter

Read Less [-] about String Pedagogy

MU 4256B. Guitar Literature.

Detailed consideration of guitar literature from all musical periods. Repertoire selection and performance problems peculiar to guitar performers are discussed. Prerequisite: Performance with Guitar Option major status.
Read More [+] about Guitar Literature

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing|Topics
Grade Mode: Standard Letter

Read Less [-] about Guitar Literature

MU 4256C. Piano Literature.

A study of piano performance literature focusing on various styles, genres, composers and eras. This course may be repeated for credit with a different emphasis. Prerequisite: Performance Major status.
Read More [+] about Piano Literature

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing|Topics
Grade Mode: Standard Letter

Read Less [-] about Piano Literature

MU 4256D. Woodwind Literature.

Woodwind Literature is a survey of the development of the student's instrument and its literature through a historical perspective stressing a broad knowledge of standard repertoire and styles. Prerequisites: Bachelor of Music with instrumental concentration and MUSP 3240 or MUSP 4240.
Read More [+] about Woodwind Literature

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing|Topics
Grade Mode: Standard Letter

Read Less [-] about Woodwind Literature

MU 4256E. Brass Literature.

This survey course covers major aspects of selected solo, chamber, and orchestral music repertoire for brass wind instruments including methods and texts. It will also include directed study on the literature of the student's instrument. Prerequisites: Bachelor of Music with instrumental concentration and MUSP 3250 or MUSP 4250.
Read More [+] about Brass Literature

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing|Topics
Grade Mode: Standard Letter

Read Less [-] about Brass Literature

MU 4256F. Percussion Literature.

Percussion literature will familiarize the percussion student with solo and ensemble literature on a variety of percussion instruments through research, examination, and a compilation of written reviews of published percussion literature. Prerequisites: Bachelor of Music with instrumental concentration and MUSP 3170, MUSP 3270, MUSP 4170, or MUSP 4270.
Read More [+] about Percussion Literature

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing|Topics
Grade Mode: Standard Letter

Read Less [-] about Percussion Literature

MU 4256G. String Literature.

This course encompasses an intensive study of solo and chamber music repertoire from the vantage point of performance practice and rehearsal technique. Specific emphasis will be given to comparisons of stylistic characteristics within the genres. Prerequisites: Bachelor of Music with string or instrumental concentration and MUSP 3260 or MUSP 4260.
Read More [+] about String Literature

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing|Topics
Grade Mode: Standard Letter

Read Less [-] about String Literature

MU 4257. Vocal Pedagogy I: Voice Science.

This course explores the anatomy/physiology of the human voice, the acoustic properties that govern resonance, vocal health, and the philosophy of singing and teaching. It is designed for Bachelor of Music majors with a concentration in voice. Restricted to Music Studies or Music Performance majors, with a vocal concentration. Co-requisites: MUSP 3220 or MUSP 4220, or by Instructor Permission.
Read More [+] about Vocal Pedagogy I: Voice Science

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

Read Less [-] about Vocal Pedagogy I: Voice Science

MU 4258. History of Music in Mexico.

This course is a study of the musical panorama of Mexico; pre-colonial, colonial, folk, urban, academic, and transnational genres are discussed in historical, socio-political, and stylistic context. It includes research methodology and musicology related to Mexican music.
Read More [+] about History of Music in Mexico

2 Credit Hours. 2 Lecture Contact Hours. 1 Lab Contact Hour.
Grade Mode: Standard Letter

Read Less [-] about History of Music in Mexico

MU 4259. Vocal Literature.

This course is a detailed consideration of vocal literature from approximately 1600 through the 20th century, focusing on different cultures of the world. It covers major composers and developments in the genre. Repertoire selection and performance problems peculiar to the various styles will be discussed. Prerequisites: Bachelor of Music with vocal concentration and MU 2142. Corequisite: MUSP 3220 or MUSP 4220.
Read More [+] about Vocal Literature

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

Read Less [-] about Vocal Literature

MU 4260. Vocal Pedagogy II: Methods.

This is a comparative study of various pedagogical methods and ideas that covers a wide range of historical and contemporary pedagogy treatises. Students will explore exercixes and vocalises for general voice development, peer teaching, and techniques to address/correct specific vocal problems. Prerequisite: MU 4257 with a grade of "B" or better. Co-requisites: MUSP 3220 or MUSP 4220, or by Instructor Permission.
Read More [+] about Vocal Pedagogy II: Methods

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Vocal Pedagogy II: Methods

MU 4310. Guitar Class III: Rock, Country, Blues.

Designed primarily for the non-music major. Continued study of advanced techniques including scales, arpeggios, strumming patterns and advanced accompanying styles. Analysis and performance of musical styles including rock, country and blues. Prerequisite: MU 3310.
Read More [+] about Guitar Class III: Rock, Country, Blues

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Guitar Class III: Rock, Country, Blues

MU 4312. Guitar Class IV: Rock, Country, Blues.

Designed primarily for the non-music major. Continued study of advanced techniques including soloing techniques, accompaniment techniques. Detailed analysis of performance styles emphasizing the styles of contemporary performers. Prerequisite: MU 4310.
Read More [+] about Guitar Class IV: Rock, Country, Blues

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Guitar Class IV: Rock, Country, Blues

MU 4330. Form and Analysis.

Principles of form and analysis developed through the in-depth application of analytical systems to the musical repertoire through the nineteenth century. Prerequisites: MU 2263 or consent of the instructor.
Read More [+] about Form and Analysis

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Form and Analysis

MU 4332. Contemporary Analytic Techniques.

Detailed study and analysis of selected compositions from the early twentieth century to the present; analytical projects. Prerequisite: MU 2263 or consent of the instructor. Prerequisite: MU 2263 with a grade of "C" or higher or consent of the instructor.
Read More [+] about Contemporary Analytic Techniques

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Contemporary Analytic Techniques

MU 4334. Orchestration.

Study of the characteristics of individual instruments; writing for various combinations; study of scores of different periods; techniques of instrumentation, arranging, and orchestration; listening to recorded and live performances. Prerequisite: MU 2263 or consent of the instructor.
Read More [+] about Orchestration

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Orchestration

MU 4336. 18th-Century Counterpoint.

A study of 18th-century contrapuntal techniques as found in choral preludes, inventions and fugues, among other forms. Prerequisite: MU 2263 with a grade of "C" or higher or consent of the instructor.
Read More [+] about 18th-Century Counterpoint

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about 18th-Century Counterpoint

MU 4343. Jazz Pedagogy.

A study of repertoire selection and evaluation, phrasing and articulation, rhythm section techniques, methods of instruction, and review of current teaching styles in American jazz programs, including contest preparation and the teaching of basic improvisation. Prerequisites: MU 2262, MU 2263 or consent of instructor.
Read More [+] about Jazz Pedagogy

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Jazz Pedagogy

MU 4351. Problems in Music.

The course is conducted as an independent study on one or more music topics and is open to students on an individual basis by approval of the Director of the School of Music.
Read More [+] about Problems in Music

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

Read Less [-] about Problems in Music

MU 4353. Problems in Music.

The course is conducted as an independent study on one or more music topics and are open to students on an individual basis by approval of the Director of the School of Music.
Read More [+] about Problems in Music

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

Read Less [-] about Problems in Music

MU 4354. Business in Music.

A preparation of students and future musicians for a career in music. The course will discuss the various career options available to aspiring musicians and the paths to take to pursue these options.
Read More [+] about Business in Music

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Business in Music

MU 4385. Advanced Audio Recording Techniques.

Application of theoretical skills in recording, mixing, and editing concert music. Full major in SRT required. Prerequisite: MU 3384 with a grade of "C" or higher. Corequisite: MU 4180.
Read More [+] about Advanced Audio Recording Techniques

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Advanced Audio Recording Techniques

MU 4386. SRT Internship.

Practical experience in audio recording under professional supervision. Provides the opportunity for students to demonstrate professional competencies, based on prior theoretical and laboratory experiences. Full major in SRT required.
Read More [+] about SRT Internship

3 Credit Hours. 0 Lecture Contact Hours. 6 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about SRT Internship

MU 5113. Independent Study in Music.

Study of special interest that offers professional improvement and growth in the field of music. May be repeated with different emphasis for additional credit. Prerequisite: Consent of the graduate advisor.
Read More [+] about Independent Study in Music

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Independent Study in Music

MU 5130A. Writing About Music.

Focusing on basic writing skills, research, and the use and documentation of sources. Course centers on the process of writing about music. Besides written exercises, the assignments include the study of such professional writing samples as concert reviews, program abstracts, and research essays. This course does not earn graduate degree credit. Prerequisite: Consent of the graduate music advisor.
Read More [+] about Writing About Music

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from Graduate GPA|Leveling|Topics
Grade Mode: Leveling/Assistantships

Read Less [-] about Writing About Music

MU 5130B. Diction for Singers.

An in-depth study of the pronunciation of singing in Italian, German, English, and French incorporating the International Phonetic Alphabet through the use of lecture and laboratory sessions for practical application. This course does not earn graduate degree credit. Prerequisite: Consent of the graduate music advisor.
Read More [+] about Diction for Singers

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from Graduate GPA|Leveling|Topics
Grade Mode: Leveling/Assistantships

Read Less [-] about Diction for Singers

MU 5141. Kodály Level I – Conducting.

Advanced conducting techniques emphasizing patterns and communication of the character of music. Emphasis on conducting folk songs and classical canons.
Read More [+] about Kodály Level I – Conducting

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Kodály Level I – Conducting

MU 5143. Kodály Level I – Materials.

Examination of song literature appropriate for children with emphasis on folk literature.
Read More [+] about Kodály Level I – Materials

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Kodály Level I – Materials

MU 5145. Kodály Level II – Conducting.

Advanced conducting techniques emphasizing patterns and communication of the character of music. Emphasis on independence of the left and right hands to communicate tempo, dynamics, cues, and character.
Read More [+] about Kodály Level II – Conducting

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Kodály Level II – Conducting

MU 5147. Kodály Level II – Materials.

Examination of song literature appropriate for children with emphasis on folk literature. Students will also explore suitable instrumental literature through performance on the recorder.
Read More [+] about Kodály Level II – Materials

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Kodály Level II – Materials

MU 5149. Kodály Level III – Conducting.

Advanced conducting laboratory with application to 2-, 3-, and 4-part choral works.
Read More [+] about Kodály Level III – Conducting

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Kodály Level III – Conducting

MU 5151. Kodály Level III – Research and Retrieval.

Research of international folk music as applied to philosophy as applied to Kodály music education program.
Read More [+] about Kodály Level III – Research and Retrieval

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Kodály Level III – Research and Retrieval

MU 5156. Mariachi Arranging Techniques.

This course is a study of Mariachi repertoire and arranging techniques for a Mariachi ensemble. Topics will cover instrument ranges, orchestration techniques, and styles. This course is repeatable for credit three times.
Read More [+] about Mariachi Arranging Techniques

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

Read Less [-] about Mariachi Arranging Techniques

MU 5157. Mariachi Ensemble Teaching Lab.

This course provides students with the knowledge to become effective directors of Mariachi ensembles within the public school/university systems. Mariachi curriculum/repertoire/rehearsal techniques appropriate to middle school/high school/post-high school ensembles are discussed and applied within the setting of a performing ensemble. This course is repeatable for credit three times.
Read More [+] about Mariachi Ensemble Teaching Lab

1 Credit Hour. 0 Lecture Contact Hours. 1 Lab Contact Hour.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

Read Less [-] about Mariachi Ensemble Teaching Lab

MU 5182. Practicum in Music Instruction.

Instruction techniques for teaching and instructional assistants concerning selected problems in the teaching of music in the classroom, private instruction, and ensemble environments. This course does not earn graduate degree credit. Repeatable with different emphasis. Graded on a credit (CR), no-credit (F) basis.
Read More [+] about Practicum in Music Instruction

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Course Attribute(s): Graduate Assistantship|Exclude from Graduate GPA
Grade Mode: Leveling/Assistantships

Read Less [-] about Practicum in Music Instruction

MU 5192. Graduate Recital.

A full-length, public recital in the appropriate applied music area. Should be taken simultaneously with a final semester of applied music instruction by those students in performance degree plans.
Read More [+] about Graduate Recital

1 Credit Hour. 0 Lecture Contact Hours. 1 Lab Contact Hour.
Grade Mode: Standard Letter

Read Less [-] about Graduate Recital

MU 5199B. Thesis.

This course represents a student’s continuing thesis enrollment. The student continues to enroll in this course until the thesis is submitted for binding. Cannot be taken unless a Thesis Proposal has been submitted. Students working toward the M.M. with thesis are expected to enroll in thesis each semester in which faculty supervision is received. Graded on a credit (CR), progress (PR), no-credit (F) basis.
Read More [+] about Thesis

1 Credit Hour. 1 Lecture Contact Hour. 0 Lab Contact Hours.
Grade Mode: Credit/No Credit

Read Less [-] about Thesis

MU 5213. Independent Study in Music.

Study of special interest that offers professional improvement and growth in the field of music. May be repeated with different emphasis for additional credit. Prerequisite: Consent of the graduate advisor.
Read More [+] about Independent Study in Music

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Independent Study in Music

MU 5230A. Music Theory.

A study of the materials of counterpoint and harmony as evaluated through listening and analysis of literature, and application through composition. This course does not earn graduate degree credit. Prerequisite: Consent of the graduate music advisor.
Read More [+] about Music Theory

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from Graduate GPA|Leveling|Topics
Grade Mode: Leveling/Assistantships

Read Less [-] about Music Theory

MU 5230B. Aural Learning.

Development and application of theory concepts through singing, playing, and dictation. This course does not earn graduate degree credit. Prerequisite: Consent of the graduate music advisor.
Read More [+] about Aural Learning

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from Graduate GPA|Leveling|Topics
Grade Mode: Leveling/Assistantships

Read Less [-] about Aural Learning

MU 5240. Kodály Level I – Musicianship and Sol-fa.

Development of sight singing and aural skills associated with advanced musicianship.
Read More [+] about Kodály Level I – Musicianship and Sol-fa

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Kodály Level I – Musicianship and Sol-fa

MU 5242. Kodály Level I – Pedagogy.

The teaching of music utilizing an American adaptation of the Kodály approach to music education as applied to kindergarteners and first graders.
Read More [+] about Kodály Level I – Pedagogy

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Kodály Level I – Pedagogy

MU 5244. Kodály Level II – Musicianship and Sol-fa.

Development of sight singing and aural skills associated with advanced musicianship. Emphasis on analysis of melodic content: intervals, range, and scales.
Read More [+] about Kodály Level II – Musicianship and Sol-fa

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Kodály Level II – Musicianship and Sol-fa

MU 5246. Kodály Level II – Pedagogy.

The teaching of music utilizing an American adaptation of the Kodály approach to music education as applied to second and third grade children.
Read More [+] about Kodály Level II – Pedagogy

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Kodály Level II – Pedagogy

MU 5248. Kodály Level III – Musicianship and Sol-fa.

Development of sight singing and aural skills associated with advanced musicianship. Emphasis on advanced studies in rhythm, counterpoint, and harmony.
Read More [+] about Kodály Level III – Musicianship and Sol-fa

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Kodály Level III – Musicianship and Sol-fa

MU 5250. Kodály Level III – Pedagogy.

The teaching of music utilizing an American adaptation of the Kodály approach to music education as applied to upper elementary, junior high, and high school.
Read More [+] about Kodály Level III – Pedagogy

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Kodály Level III – Pedagogy

MU 5254. Piano Pedagogy I.

History, methods, and materials of piano pedagogy. Includes the application of technical and musical fundamentals to beginning levels of teaching. Prerequisites: Piano pedagogy or piano performance majors or instructor’s permission.
Read More [+] about Piano Pedagogy I

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Piano Pedagogy I

MU 5255. Piano Pedagogy II.

Advanced methods and materials of piano pedagogy. Includes the application of technical and musical fundamentals to intermediate and advanced levels of teaching. Prerequisites: Piano Pedagogy I or instructor’s permission.
Read More [+] about Piano Pedagogy II

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Piano Pedagogy II

MU 5299B. Thesis.

This course represents a student’s continuing thesis enrollment. The student continues to enroll in this course until the thesis is submitted for binding. Cannot be taken unless a Thesis Proposal has been submitted. Students working toward the M.M. with thesis are expected to enroll in thesis each semester in which faculty supervision is received. Graded on a credit (CR), progress (PR), no-credit (F) basis.
Read More [+] about Thesis

2 Credit Hours. 2 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Credit/No Credit

Read Less [-] about Thesis

MU 5310. Music Literature of the Baroque.

Style characteristics and literature of the music of 1600-1750 with special emphasis on Bach and Handel.
Read More [+] about Music Literature of the Baroque

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Music Literature of the Baroque

MU 5313. Independent Study in Music.

Study of special interest that offers professional improvement and growth in the field of music. May be repeated once with different emphasis for additional credit.
Read More [+] about Independent Study in Music

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

Read Less [-] about Independent Study in Music

MU 5314. Survey of the 20th- and 21st-Century Music.

Emphasis on music of the modern period and its development from music of earlier periods. Numerous examples of vocal and instrumental works in both large and small forms are used to illustrate 20th- and 21st-century styles and trends.
Read More [+] about Survey of the 20th- and 21st-Century Music

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Survey of the 20th- and 21st-Century Music

MU 5315. Music Literature of the Middle Ages to Renaissance.

Historical, stylistic, and analytical study of western art music from about 450 to 1600.
Read More [+] about Music Literature of the Middle Ages to Renaissance

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Music Literature of the Middle Ages to Renaissance

MU 5316. Opera History.

This course will analyze and evaluate operas selected from the genre's history from the late sixteenth century to the present. Topics include opera historiography; operatic conventions; opera composers, librettists and plots; musical dramaturgy; and cultural context.
Read More [+] about Opera History

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Opera History

MU 5317. Independent Study in Music.

Study of special interest that offers professional improvement and growth in the field of music. May be repeated once with different emphasis for additional credit.
Read More [+] about Independent Study in Music

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing
Grade Mode: Standard Letter

Read Less [-] about Independent Study in Music

MU 5318. Song Literature.

This course is an historical survey of the art song, emphasizing Western European and American repertories. Students will articulate stylistic differences within the art song repertory, use analytical methods appropriate for a variety of text settings, and develop greater proficiency at writing about music.
Read More [+] about Song Literature

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Song Literature

MU 5320. Music Literature - Viennese Classical.

Style analysis of music literature from 1750 to 1830 with emphasis on Haydn, Mozart, and Beethoven.
Read More [+] about Music Literature - Viennese Classical

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Music Literature - Viennese Classical

MU 5322. Advanced Instrumental Techniques.

Evaluation of teaching methods, materials, and literature of wind/percussion or string instruments. Students must have taken instrumental conducting in their undergraduate degree program.
Read More [+] about Advanced Instrumental Techniques

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Advanced Instrumental Techniques

MU 5323. Vocal Music Education Methods.

Study of the anatomy of the human voice and evaluation of the scientific data and historical beliefs concerning voice pedagogy with emphasis in teaching voice in the class, private studio, as well as within a variety of choral settings.
Read More [+] about Vocal Music Education Methods

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Vocal Music Education Methods

MU 5325. Research in Music Education I.

Examination of methodologies, techniques, and procedures for interpreting and conducting research in music education. Relevant studies in music education will be critiqued, with an emphasis on preparation of a research proposal.
Read More [+] about Research in Music Education I

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Research in Music Education I

MU 5326. Research in Music Education II.

A continuation and culmination of a research project in the field of music education as developed and proposed in MU 5325. Prerequisite: MU 5325 with a grade of "B" or higher.
Read More [+] about Research in Music Education II

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Research in Music Education II

MU 5328. Foundations of Music Education.

The cognitive psychology, historical perspective, and philosophical issues that provide the basis for contemporary music education.
Read More [+] about Foundations of Music Education

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Foundations of Music Education

MU 5329. Psychology of Music.

This course investigates the psychological foundations of music and examines interdisciplinary approaches to the study of music and the human experience. Topics will include music perception, physiological responses to music, music and the brain, musical attributes, music learning, music therapy, and the measurement of musical behavior.
Read More [+] about Psychology of Music

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Psychology of Music

MU 5330A. History and Analysis of Music.

A comprehensive musicianship approach to the study of music from the earliest times to the present using techniques of stylistic and structural analysis. This course does not earn graduate degree credit. Prerequisite: Consent of the graduate music advisor.
Read More [+] about History and Analysis of Music

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from Graduate GPA|Leveling|Topics
Grade Mode: Leveling/Assistantships

Read Less [-] about History and Analysis of Music

MU 5330B. Advanced Theory.

Principles of form and analysis, counterpoint, orchestration, and contemporary analytic techniques developed through in-depth study of musical repertoire. This course does not earn graduate degree credit. Prerequisite: Consent of the graduate music advisor.
Read More [+] about Advanced Theory

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from Graduate GPA|Leveling|Topics
Grade Mode: Leveling/Assistantships

Read Less [-] about Advanced Theory

MU 5331. Vocal Pedagogy I: Voice Science.

This course explores the anatomy/physiology of the human voice, the acoustic properties that govern resonance, vocal health, and philosophy of singing and teaching. Co-requisites: MUSP 5120, MUSP 5220, or MUSP 5320, or permission of the instructor.
Read More [+] about Vocal Pedagogy I: Voice Science

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Vocal Pedagogy I: Voice Science

MU 5332. Vocal Pedagogy II: Methods.

This is a comparative study of various pedagogical methods and ideas, including historical and contemporary treatises. Students will explore exercises and vocalizes for general voice development, address and correct specific vocal problems, and engage in peer teaching. Prerequisite: MU 5331 with a grade of "B" or better. Co-requisites: MUSP 5120, MUSP 5220, or MUSP 5320, or permission of the instructor.
Read More [+] about Vocal Pedagogy II: Methods

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Vocal Pedagogy II: Methods

MU 5334. Introduction to Graduate Study in Music.

Techniques and materials of research, emphasizing bibliography, library usage, collection, and interpretation of data.
Read More [+] about Introduction to Graduate Study in Music

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Time Conflicts Permitted
Grade Mode: Standard Letter

Read Less [-] about Introduction to Graduate Study in Music

MU 5337. Techniques of Contemporary Music.

This course surveys a cross-section of important technical innovations and developments in twentieth-century music, with special focus on music since 1945. Students will read documents outlining aesthetics, analyze music written in a variety of styles, write analytical papers, and using a variety of techniques, compose exercises. Enrollment requires a passing grade on the Graduate Music Theory Placement Exam or Instructor approval. Prerequisite: MU 5357 with a grade of "B" or higher.
Read More [+] about Techniques of Contemporary Music

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Techniques of Contemporary Music

MU 5340. Music Literature - Nineteenth-Century Romantic.

Music literature of the period from 1830 to 1910 with analysis of styles.
Read More [+] about Music Literature - Nineteenth-Century Romantic

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Music Literature - Nineteenth-Century Romantic

MU 5341. History of Jazz.

This course is a chronological survey and historical analysis of the major soloists, ensembles, composers, recordings, and stylistic trends of all major jazz styles.
Read More [+] about History of Jazz

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about History of Jazz

MU 5342. Jazz Pedagogy.

Jazz pedagogy is an in-depth study of the history, methodologies, resources, and techniques of jazz pedagogy and the development of jazz ensemble rehearsal skills.
Read More [+] about Jazz Pedagogy

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Jazz Pedagogy

MU 5343. Jazz Improvisation.

This course is a detailed study of the evolution of melodic, harmonic, and rhythmic structures used by jazz improvisers and composers from the 1930s to present day.
Read More [+] about Jazz Improvisation

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Jazz Improvisation

MU 5344. Jazz Arranging.

This course provides a comprehensive study of jazz composition, arranging, and improvisation theory, emphasizing writing for jazz ensembles using harmony, scales, and improvisation in a variety of styles, and providing necessary skills to be a successful jazz or commercial composer/arranger.
Read More [+] about Jazz Arranging

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Jazz Arranging

MU 5345. Piano Literature I.

This course is designed to expand first-hand familiarity with the literature for the keyboard from the Baroque to Early Romantic era (Bach to Schumann). It will be divided into five chronological segments, discussing the major composers and their contemporaries. Ten composition genres will be discussed during the course.
Read More [+] about Piano Literature I

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Piano Literature I

MU 5346. Piano Literature II.

This course is designed to expand first-hand familiarity with the literature for the piano, which will be divided into six chronological segments. These segments will discuss the most significant composers and their contemporaries in the 19th and 20th centuries and their major piano compositions.
Read More [+] about Piano Literature II

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Piano Literature II

MU 5350. Musical Styles.

Developing a broader musical understanding through critical listening, technical analyses, and written assignments in various musical styles, including the late classical, romantic, and present eras. Prerequisite: B or higher in MU 5357 or a passing grade on the Graduate Music Theory Placement Exam.
Read More [+] about Musical Styles

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Musical Styles

MU 5351. Schenkerian Analysis.

An introduction to the techniques and methods of music analysis as developed by Heinrich Schenker (1868-1935). This course will cover reductive analysis, structural levels in tonal music, and graphing techniques. Prerequisite: MU 5357 with a grade of “B” or higher, or passing grade on music theory entrance exam.
Read More [+] about Schenkerian Analysis

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Schenkerian Analysis

MU 5352. Foundations of Musicology.

This course is an introduction to the concepts, methodologies, and scholarly trends central to the discipline of musicology. Prerequisite: MU 5334 with a grade of "B" or better.
Read More [+] about Foundations of Musicology

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Foundations of Musicology

MU 5353. Ensemble Rehearsal Techniques.

Course is designed for performance ensemble conductors. Includes supervision, administration, and rehearsal techniques.
Read More [+] about Ensemble Rehearsal Techniques

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Ensemble Rehearsal Techniques

MU 5355. Pedagogy of Music Theory.

Developing teaching methods and broader understanding through critical study of materials, organization, techniques, and problems of music theory and comprehensive musicianship courses.
Read More [+] about Pedagogy of Music Theory

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Time Conflicts Permitted
Grade Mode: Standard Letter

Read Less [-] about Pedagogy of Music Theory

MU 5357. Graduate Music Theory.

Graduate-level studies in music theory and aural skills. The course covers melody, harmony, counterpoint, form, as well as sight-singing, performing, and dictation. This course does not earn graduate degree credit. Consent of the graduate studies coordinator is required.
Read More [+] about Graduate Music Theory

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from Graduate GPA|Leveling
Grade Mode: Leveling/Assistantships

Read Less [-] about Graduate Music Theory

MU 5358. Advanced Musicianship.

This course is designed to develop graduate-level skills in music sight reading, dictation, fundamental keyboard skills, and keyboard harmonization.
Read More [+] about Advanced Musicianship

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Advanced Musicianship

MU 5359. Post-Tonal Music Analysis.

This course is the study and application of methodologies and terminology that are used to analyze post-tonal concert music of the 20th and 21st centuries. Prerequisite: MU 5357 with a grade of "B" or better, or permission of instructor.
Read More [+] about Post-Tonal Music Analysis

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Post-Tonal Music Analysis

MU 5360. Music in the United States.

A survey of the music and musical development in this country from pre-Columbian times to the present. Folk music, popular music, and jazz will be considered as well as traditional and experimental styles.
Read More [+] about Music in the United States

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Music in the United States

MU 5361. Methods and Methodologies of Music Analysis.

This course will cover the examination of selected analytical techniques, methods and methodologies, critical approaches, or musical repertories, including semiotic analysis, computer-assisted music analysis, analysis of thematic processes, functional analysis, phrase structure analysis, as well as category and feature analysis. Prerequisite: MU 5357 with a grade of "B" or better, or permission of instructor.
Read More [+] about Methods and Methodologies of Music Analysis

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Methods and Methodologies of Music Analysis

MU 5362. Instrumental Pedagogy I.

This course explores instrument-specific pedagogy from the beginner through the advanced levels. Students will peruse instrument-specific pedagogical works, solo literature, and articles, and will complete a teaching assignment requiring them to implement pedagogical techniques, diagnose common performance problems, and suggest solutions. Co-requisites: MUSP 5130 or MUSP 5140 or MUSP 5150 or MUSP 5160 or MUSP 5170 or MUSP 5230 or MUSP 5240 or MUSP 5250 or MUSP 5260 pr MUSP 5270 or MUSP 5330 or MUSP 5340 or MUSP 5350 or MUSP 5360 or MUSP 5370, or permission of the instructor.
Read More [+] about Instrumental Pedagogy I

3 Credit Hours. 1 Lecture Contact Hour. 2 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Instrumental Pedagogy I

MU 5363. Instrumental Pedagogy II: Teaching Internship.

This class provides students with supervised teaching experience. In this capstone course, students will apply pedagogical principles for instruction on their primary instrument in the private lesson setting. Their teaching will be monitored and evaluated by an applied professor throughout the semester. Prerequisite: MU 5362 with a grade of "B" or better. Co-requisites: MUSP 5130 or MUSP 5140 or MUSP 5150 or MUSP 5160 or MUSP 5170 or MUSP 5230 or MUSP 5240 or MUSP 5250 or MUSP 5260 pr MUSP 5270 or MUSP 5330 or MUSP 5340 or MUSP 5350 or MUSP 5360 or MUSP 5370, or permission of the instructor.
Read More [+] about Instrumental Pedagogy II: Teaching Internship

3 Credit Hours. 0 Lecture Contact Hours. 3 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Instrumental Pedagogy II: Teaching Internship

MU 5364. Intelligent Music Teaching.

This course focuses on fundamental philosophical principles of effective instrumental music instruction and includes application of those principles in teaching. Students will develop a realistic perspective of their strengths and weaknesses as a developing professional and will develop business skills necessary to create a successful private lesson studio.
Read More [+] about Intelligent Music Teaching

3 Credit Hours. 2 Lecture Contact Hours. 1 Lab Contact Hour.
Grade Mode: Standard Letter

Read Less [-] about Intelligent Music Teaching

MU 5365. Computing in Music.

Development of concepts and skills related to current computer technology in music. Exploration and use of computer software, MIDI, and other productivity tools for application to music education, music administration, music research, and music composition.
Read More [+] about Computing in Music

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Computing in Music

MU 5366. Salsa Arranging.

Analysis and arranging music for a Salsa ensemble. Topics will cover instrument ranges, orchestration techniques, and styles.
Read More [+] about Salsa Arranging

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Salsa Arranging

MU 5367. History of Music in the Caribbean.

This course is a study of the musical panorama of the Spanish-speaking Caribbean; Pre-Columbian, colonial, folk, urban, academic, and transnational genres are discussed in historical, socio-political, and stylistic context, includes coverage of the scope and methods of research in the area of Caribbean music studies.
Read More [+] about History of Music in the Caribbean

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about History of Music in the Caribbean

MU 5368. History of Music in Mexico.

This course is a study of the musical panorama of Mexico; Pre-Columbian, colonial, folk, urban, academic, and transnational genres are discussed in historical, socio-political, and stylistic context, including coverage of the scope and methods of research in the area of Mexican music studies.
Read More [+] about History of Music in Mexico

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about History of Music in Mexico

MU 5369. History of Music in Latin America.

This course is a study of the musical panorama of Latin America; Pre-Columbian, colonial, folk, urban, academic, and transnational genres are introduced and discussed in historical, socio-political, and stylistic context. It also includes an introduction to the scope and methods of research in Latin American music studies.
Read More [+] about History of Music in Latin America

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about History of Music in Latin America

MU 5371. Choral Literature I: Madrigal/Partsong.

This course is a comprehensive study of madrigals and partsongs from the canon of Western choral music.
Read More [+] about Choral Literature I: Madrigal/Partsong

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Choral Literature I: Madrigal/Partsong

MU 5372. Choral Literature II: Oratorio and Other Secular Major Works.

This course is a comprehensive study of oratorios and other secular major works from the Western canon of choral repertoire.
Read More [+] about Choral Literature II: Oratorio and Other Secular Major Works

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Choral Literature II: Oratorio and Other Secular Major Works

MU 5373. Choral Literature III: Liturgical Year - Motet, Anthem, Cantata.

This course is a comprehensive study of motets, anthems, cantatas, and other genres associated with the liturgical calendar and the Revised Common Lectionary from the canon of Western choral music.
Read More [+] about Choral Literature III: Liturgical Year - Motet, Anthem, Cantata

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Choral Literature III: Liturgical Year - Motet, Anthem, Cantata

MU 5374. Choral Literature IV: Missa Brevis, Missa Solemnis, & Requiem.

This course is a comprehensive study of the Roman Catholic Mass and Requiem Liturgies as they have been set to music by composers associated with the Western canon of choral music.
Read More [+] about Choral Literature IV: Missa Brevis, Missa Solemnis, & Requiem

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Standard Letter

Read Less [-] about Choral Literature IV: Missa Brevis, Missa Solemnis, & Requiem

MU 5375J. Foundations of Ethnomusicology.

This course is an introduction to the concepts, methodologies, and scholarly trends central to the discipline of ethnomusicology. Prerequisite: MU 5334.
Read More [+] about Foundations of Ethnomusicology

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Course Attribute(s): Exclude from 3-peat Processing|Topics
Grade Mode: Standard Letter

Read Less [-] about Foundations of Ethnomusicology

MU 5399A. Thesis.

This course represents a student’s initial thesis enrollment. No thesis credit is awarded until student has completed the thesis in Music 5399B. Students working toward the M.M. degree with a thesis are expected to enroll in thesis each semester in which faculty supervision is received. Graded on a credit (CR), progress (PR), no-credit (F) basis.
Read More [+] about Thesis

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Credit/No Credit

Read Less [-] about Thesis

MU 5399B. Thesis.

This course represents a student’s continuing thesis enrollment. The student continues to enroll in this course until the thesis is submitted for binding. Cannot be taken unless a Thesis Proposal has been submitted. Students working toward the M.M. with thesis are expected to enroll in thesis each semester in which faculty supervision is received. Graded on a credit (CR), progress (PR), no-credit (F) basis.
Read More [+] about Thesis

3 Credit Hours. 3 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Credit/No Credit

Read Less [-] about Thesis

MU 5599B. Thesis.

This course represents a student’s continuing thesis enrollment. The student continues to enroll in this course until the thesis is submitted for binding. Cannot be taken unless a Thesis Proposal has been submitted. Students working toward the M.M. with thesis are expected to enroll in thesis each semester in which faculty supervision is received. Graded on a credit (CR), progress (PR), no-credit (F) basis.
Read More [+] about Thesis

5 Credit Hours. 5 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Credit/No Credit

Read Less [-] about Thesis

MU 5999B. Thesis.

This course represents a student’s continuing thesis enrollment. The student continues to enroll in this course until the thesis is submitted for binding. Cannot be taken unless a Thesis Proposal has been submitted. Students working toward the M.M. with thesis are expected to enroll in thesis each semester in which faculty supervision is received. Graded on a credit (CR), progress (PR), no-credit (F) basis.
Read More [+] about Thesis

9 Credit Hours. 9 Lecture Contact Hours. 0 Lab Contact Hours.
Grade Mode: Credit/No Credit

Read Less [-] about Thesis